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It culminated in the addition of three new wings of stone (the enveloppe), which encompassed Louis XIII's original building on the north, south, and west (the garden side).
André-Charles Boulle, the most famous French cabinetmaker and the preeminent artist in the field of marquetry, was engaged in 1669 to create ouvrages de peinture, and Boulle was employed for many years at Versailles, where the mirrored walls, floors of wood mosaic, inlaid paneling and marquetry in the Cabinet du Dauphin (1682–1686) was regarded as his most remarkable work.
However, owing to Venetian proprietary claims on the technology of mirror manufacture, the Venetian government ordered the assassination of the artisans to keep the secrets proprietary to the Venetian Republic.
Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution.
Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime.
Accordingly, much of the early funding for construction came from the king's own purse, funded by revenues received from his appanage as well as revenues from the province of New France (Canada), which, while part of France, was a private possession of the king and therefore exempt from the control of the Parliaments.
Once Louis XIV embarked on his building campaigns, expenses for Versailles became more of a matter for public record, especially after Jean-Baptiste Colbert assumed the post of finance minister.
The Royal Chapel of Versailles, located at the south end of the north wing, was begun by Mansart in 1688, and after his death in 1708 completed by his assistant Robert de Cotte in 1710.